Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow—
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand—
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
~~~
Edgar Allan Poe’s poem “A Dream within
a Dream” features a speaker who struggles with the idea that the reality that
we know may actually be unreal or significantly imagined. If, in fact, all that
we experience is “a dream within a dream”, there is an implication that there
is no true moment of ‘waking up’ to face reality; we are stuck forever in an
illusory setting that is twice-imagined by our minds. This creates a very wide
chasm in between what we believe to be real and what is actually real.
In the beginning of the poem, the
speaker addresses an unnamed listener, to whom he agrees with in that his days
have in fact been a dream. He kisses then leaves the listener with the central
focus of the poem: “All that we see or
seem/Is but a dream within a dream” (Poe 10-11). In the second stanza, the
speaker has moved to a different setting, one where he is surrounded by the
loud crashing of waves beating against a “surf-tormented shore” (13). In his
hands, he desperately attempts to hold onto the grains of sand he has collected
from the shore, but the grains slowly fall between his fingers into the ocean.
Seeing this, the speaker cries out in dismay, wondering why he is unable to
hold onto the sand, and he ends the poem with the question “Is all that we see or seem/But a dream within a dream?” (23-24).
In the poem, I as the reader
noticed a shift between the first and second stanzas. Where the first stanza
has the speaker and his listener present in an unclear setting, the second
stanza describes the speaker alone in a more concrete setting on the violent
shore of a beach. However, the sentiments present in the first stanza seem to
be mirrored in the second, on a more figurative level. The “hope” that leaves
the speaker in the first stanza can be symbolized in the fleeting grains of
sand that he desperately clings onto in the second; the bestial “surf” and “wave”
that surrounds the speaker in the second stanza would then be symbolic of the same
force that causes the hope to fly away in in the first. If reality is
considered to be a conscious level, this shift to a more visual and physical setting
could represent how the speaker departs from the innermost to the outside dream
level located between the “dream within a dream” and reality—he has ‘awakened’
somewhat, but he still cannot see reality for it is. Understandably, this
exasperates the speaker, who weeps at how he is still unable to have any
control over what is happening, just as one cannot in a dream. The speaker is
moved to ask the question now whether if all that once experiences is only a
dream within a dream, and him asking a question
rather than repeating his previous, similarly worded statement seems to show
how he no longer wants to accepts this as a truth. The speaker wants to be able
to be lucid and experience things for how they really are. I believe Poe thinks
this is a shared human desire, from the way that the question is worded “Is all
that we see or seem/But a dream
within a dream?” (23-24). This opens up the question’s topic to more than just
the speaker himself, and Poe asks the reader
to consider the answer.
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